Among all of the artists we have in the space currently for Shadow and Light, Jaq Belcher is the only one whom we officially represent. Her work, much like her colleague Reni Gower, is focused around the mediative state driven by the act of working with paper in this reductive and repetitive way. To add to this process, Jaq also numbers each and every cut she makes as she cuts them, so that the finished product includes the markers of time within it’s folds. This aspect of her work fits in to her exploration of meditative conscious states. Read more about her on our artist page, linked above. And watch this short clip where Jaq gives a brief tour of her studio and talks about her process.
While most of the work in Shadow and Light depicts a narrative or the labors of a repetitive motif, artist Lauren Scanlon takes the use of paper-cuts in a different direction. Using pages from vintage Harlequin romance novels she read at a young age, passed down to her by her grandmother, Scanlon transforms the pages of the erotic fiction by hand sewing their pages together to create a quilt of text and reductive imagery–she uses motifs from floral bedspreads to censor the content and bring a new dimension to the pages. This dichotomy is a reference to her grandmother’s two-fold nature of conservative and taboo.
Tonight for Collectors Art Night three of our artists from the current show will be here to lecture, Reni Gower, Jaq Belcher, and Lenka Konopasek and we are all very excited! But if you’re curious to learn more about the process and concepts of the illustrative artist Beatrice Coron, watch this video from her website.